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Ghorbani, Hamid Reza, Sadeghi, Sara. (1397). The Newfound Petroglyphs at Aso, Birjand, Eastern Iran. نشریه علمی دانشگاه سیستان و بلوچستان, 8(1), 79-92. doi: 10.22111/ijas.2018.6499
Hamid Reza Ghorbani; Sara Sadeghi. "The Newfound Petroglyphs at Aso, Birjand, Eastern Iran". نشریه علمی دانشگاه سیستان و بلوچستان, 8, 1, 1397, 79-92. doi: 10.22111/ijas.2018.6499
Ghorbani, Hamid Reza, Sadeghi, Sara. (1397). 'The Newfound Petroglyphs at Aso, Birjand, Eastern Iran', نشریه علمی دانشگاه سیستان و بلوچستان, 8(1), pp. 79-92. doi: 10.22111/ijas.2018.6499
Ghorbani, Hamid Reza, Sadeghi, Sara. The Newfound Petroglyphs at Aso, Birjand, Eastern Iran. نشریه علمی دانشگاه سیستان و بلوچستان, 1397; 8(1): 79-92. doi: 10.22111/ijas.2018.6499

The Newfound Petroglyphs at Aso, Birjand, Eastern Iran

Iranian Journal of Archaeological Studies
دوره 8، شماره 1، 2018، صفحه 79-92    اصل مقاله (3.81 M)
شناسه دیجیتال (DOI): 10.22111/ijas.2018.6499
نویسندگان
Hamid Reza Ghorbani* 1؛ Sara Sadeghi2
1Department of Archaeology, University of Birjand, Birjand, Iran.
2Department of Archaeology, University of Mohaghegh Ardabili, Ardabil, Iran.
چکیده
Located only 300 meters south of the village of Aso in a mountainous landscape, the so-called Aso petroglyphs were
identified and analyzed as part of archeological and anthropological surveys in 2013. The 71 discrete examples
recorded at the site consist of animal motifs and human figures alongside a series of abstract designs. The carvings
were worked on igneous rocks in pecking technique, mostly as singular motifs, though a few composite themes also
exist. The rock art was investigated via a field survey, where individual motifs were documented in photographs
and drawings before comparing them to petroglyphs from around Iran through a desk research. The main aims of
the study included introducing and examining the petroglyphs, anthropological analysis of the motifs, correlating
the motifs with the local settings (e.g. flora and fauna), contrasting the motifs with those from other regions, and
establishing a tentative date based on the evidence at hand. Chronology represents a most prominent and at the
same time a most confusing issue while tackling rock art throughout the world. In this context, a basic strategy is
comparing the concerned motifs with related material from the same span of time. The chronological determination
of the Aso petroglyphs mainly relied on the dateable recovered tools, the involved technique, and the types of
tools applied. Our results suggest that in quantity and quality the motifs parallel those attested in Jorbat, Tous and
Marzbanik in eastern Iran, and in the northwest of Iran: Arasbaran (Songun), Central Zagros: Bauki (Luristan) and
Zarrineh (Kurdistan).
کلیدواژه‌ها
Aso petroglyphs؛ Chronology؛ Animal motifs؛ Human figures؛ Eastern Iran
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